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TDH Signs
  • We are TDH
    • About Us
    • In the Media
  • Custom Signs
    • Custom Signs
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    • Pylon Signs
    • Illuminated Signs
    • Monument Signs
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Preserving History Using Modern Techniques At Loggers Grill

Story: Tristan Allan, Sign Media

Story: Tristan Allan, Sign Media

 There is something to be said about the history in the lower mainland surrounding Vancouver. Canada is a young country, so maintaining a consistent sense of history unifies its people. Capilano Suspension Bridge Park showcases British Columbia’s rugged beauty and communicates that shared history in a breathtaking natural setting.

The park is a rare attraction that provides adventure enthusiasts a view like no other in the city. Its employees have a sense of pride for its history, and they consider it their responsibility to continue that legacy.

A unique opportunity

When TDH Experiential Fabricators, an architectural signage, display, and industrial art fabrication company based in Surrey, B.C., was approached with the opportunity to refurbish a unique and antiquated sign at Capilano Suspension Bridge Park, the company jumped at the chance to add to the country’s heritage.

In designing this project, the team gathered inspiration from the park’s scenic views, as well as materials located around the area, such as bronze, steel, and wood, to create a captivating and contemporary signage system that complemented the look and feel of the environment. This approach allowed the shop to pay tribute to the built attractions within the park and its awe-inspiring landscape.

Creating a memorable piece

The goal was to take an old weathered sign and refurbish it using modern-day techniques, all while making sure to preserve its rustic look and historic feel.

By applying various creative techniques, the team blended different textures and materials to function in harmony with each other and the surrounding terrain. The first step in the process was to carefully remove the dilapidated old sign from the fascia so the letters could be repurposed in the new design. The letters were made from old tools and pieces of metal to create the wording ‘Loggers Grill.’ For example, an old hatchet was used to make the ‘L,’ and an old hammer handle was used to create the ‘E.’ These tools perfectly captured the nod to history the team wanted.

The challenge, however, was to make the letters stand out, rather than sit flat against a backer panel. To solve this, the team mounted these pieces onto the faces of 254- x 127-mm (10- x 5-in.) thick aluminum channel letters, which created a much stronger three-dimensional look. In doing so, the sign became more eye-catching while continuing to remain true to its original theme. The letters were also made to look worn and mildly rusted to retain the sign’s vintage feel.

Next, corrugated steel panels were cut into shape to resemble three mountain peaks. The cut panels were then flush mounted to the existing wood trusses above the Loggers Grill sign with hidden fasteners.

The overall width of the finished steel panels was 5842 mm (230 in.). The centre mountain’s peak reached a height of approximately 1575 mm (62 in.), while the mountains on either side were 1092 mm (43 in.) tall. The steel panel was weathered to give it a mildly rusted appearance—as if it had been exposed to the elements—so it blended in with its natural surroundings.

To create a rustic look, the team used 25.4- x 152.4-mm (1- x 6-in.) vertical cedar wood slats and stained them in varying colours—such as Cordovan Brown and Natural Sequoia—to give each piece a somewhat unmatched look. They were then cut into five smaller rigid peaks and stood off the steel panels with 38.1-mm (1.5-in.) spacers. This added even more depth to the sign.

The peaks were 1168 mm (46 in.) tall so the steel and wood did not overshadow each other. The wood peaks did not run parallel to the corrugated steel mountains. Instead, they were cut in a way so their troughs were centred with the steel panel’s peaks, creating the look of three mountains with the body of the mountain being slatted wood and the snowy peak of the mountain being corrugated metal. Lastly, 4.8-mm (0.18-in.) black steel edging was used around the border to cover the wooden ends.

Lighting up the sign

The external illumination for the sign was the final connection to bygone eras. Black gooseneck lighting was flush mounted to the wood tresses, which created a warm wash of light falling in varying gradients over the rustic sign elements. These lights were stationed 1524 mm (60 in.) apart at the peak of each mountain to properly illuminate the sign.

Adding new life to a landmark

The client mentioned to the team the park’s patrons, after seeing the new sign, asked if the entire structure had been replaced. This confirmed the team’s hard work had paid off and they had successfully managed to change the overall look of Loggers Grill while retaining its essence.

The combination of various elements allowed the shop to produce a sign that is one part history, and one part an example of what artistic fabricators can accomplish with modern techniques and skill. The goal when pursuing the project was to refurbish and add new life to a restaurant that is considered a landmark in Vancouver, and the TDH team is proud to have been able to add to its history.

Source: https://www.signmedia.ca/preserving-histor...
Friday 06.11.21
Posted by TRISTAN ALLAN
 

Tribute To Chilliwack Aviation Pioneer Will Light Up Liquor Store Roof

Story: Jennifer Feinberg, The Chilliwack Progress

Story: Jennifer Feinberg, The Chilliwack Progress

A new public art project downtown will pay tribute to a colourful figure from Chilliwack’s storied past.

Council approved the placement of ‘Golden Eagle,’ a $42,000 artwork being privately commissioned by Anthem KRC Salish Plaza Ltd. to be installed atop the B.C. Liquor Store in Salish Plaza.

The “Golden Eagle” is a reference to an airplane of the same name flown by Chilliwack entrepreneur and aviation enthusiast, Earl Brett, in the early 1930s.

Brett started several business ventures around the burgeoning auto industry, as well as logging and mining, but he also became very passionate about aviation. He is recognized for generally popularizing flying in Chilliwack, and for opening the first airport in a field on Sumas Prairie in 1931.

His plane, Golden Eagle, was eventually hoisted onto the roof of Brett’s Garage, for all of Chilliwack to see at Young and Princess.

“We believe the piece submitted will be a welcomed and celebrated artwork for downtown Chilliwack, which complements the City (of Chilliwack’s) initiatives in revitalizing downtown, and will provide perpetual promotion of the plaza and downtown by creating a public art attraction,” according to the Dec. 10 letter about the artwork, sent to city officials from Anthem Properties.

The impressive scale of the piece will be seven feet high and 20 feet wide against a 68-foot wide façade.

“Older generations may remember looking up at Brett’s plane,” according to the Anthem letter.

At the council meeting before the placement was approved, Coun. Jeff Shields asked if the art work was going to be “a picture or a sculpture/structure.”

Coun. Sue Knott replied it is “a structure that is made out of neon” to follow the outline of the original plane atop Brett’s.

“Now the owners of Salish Plaza have requisitioned this piece and it is a replica of that exact airplane but in neon.”

Coun. Shields brought up the fact that it wasn’t going to be in the precise location where the plane was sited.

“If they actually wanted to make it perfect they would put it on the CIBC building, because that’s where it originally was, right on that corner,” Shields said.

Coun. Knott replied that “for whatever reason” the artwork is destined for the liquor store instead, and since the plaza owner is paying the $42,000 they can determine where the best spot for it would be.

One way or another, the neon-lit artwork will be visible from near and far downtown.

“Golden Eagle will really sing after dark for evening shoppers and drivers along Yale Road,” according to Anthem documents in the staff report.

Source: https://www.theprogress.com/news/tribute-t...
Friday 06.11.21
Posted by TRISTAN ALLAN
 

Rejuvenating a 50 Year Old Sign | Sign Media

Story: Troy Hibbs, Signs Media Photo: Ocean Peak Studios

Story: Troy Hibbs, Signs Media
Photo: Ocean Peak Studios

Founded in Vancouver in 1998, athletic apparel retailer Lululemon has established itself as one of the city’s most recognizable brands, with annual global sales exceeding $2.5 billion. The company’s first store opened near the corner of Arbutus and West 4th Streets and was situated beside a Midas Auto Service Centre.

When the opportunity to purchase the Midas location arose, it was an easy decision for the team at Lululemon to buy the site and expand its original store to add a new women’s section, while the men’s section remained in the original location.

Keeping history alive

When planning the build, Lululemon wanted to pay homage to the area surrounding the site, as well as to the long-standing Midas Auto Service Centre itself.

The company contacted local specialty sign manufacturer TDH Experiential Fabricators to discuss the feasibility of repurposing the store’s existing pylon sign, which had been installed in 1971, into a Lululemon branded sign, with the goal of keeping enough of the original sign’s shape and structure to ensure it would be recognizable to the local residents. Lululemon had already established a working relationship with TDH through previously completed specialty projects and knew the shop had experience in restorations, replicas, and aged signs.

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categories: In the Media
Friday 03.22.19
Posted by TRISTAN ALLAN
 

The Return of Vintage Neon Signs | Novo Magazine

Story: Adrienne Matei, Novo MagazinePhoto: Ocean Peak Studios

Story: Adrienne Matei, Novo Magazine
Photo: Ocean Peak Studios

A blonde in a green bathing suit leaps from a motel sign in Mesa, Arizona, splashing down into electric blue water. She’s been diving, over and over, for about 57 years—minus a blip in 2010 when a storm shattered the neon tubes that made her so mesmerizing and her community raised $120,000 (U.S.) to have her glory restored.

The fabrication process behind a neon sign like Mesa’s Diving Lady isn’t intuitive. At first glance, it’s easy to assume such signs are the work of machines—complicated ones sprouting reams of fluorescent glass noodles in some sort of massive, radiant factory somewhere. In fact, neon signs are hand-wrought, the product of patience, artistry, and skill. Each blinking beacon vying for your attention was carefully created by a neon bender who curved fragile, heated glass tubing until it was ready to shine.

If softening glass to optimal pliability over a 900ºC open flame without so much as gloves on sounds difficult and dangerous, it is. Andrew Hibbs, owner of Endeavour Neon, has been accidentally cutting and burning himself in the process for decades. Andrew and his older brother, Troy Hibbs, who runs a signage company called TDH Experiential Fabricators (the siblings often collaborate), began bending neon in their mid-teens. Their father, a bender by trade, had a workshop in the family’s backyard, where the boys would go before school to practise making signs.

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categories: In the Media
Tuesday 01.16.18
Posted by TRISTAN ALLAN
 
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